NAA exhibitions from 2018 to 2022 included Steinsieck works for which he received recognition as seen here:
Human Being - Being Human, Piano Craft Gallery, Honorable Mention:
“Gregory Steinsieck’s Dream Weaver-Time Traveler, depicts a horizontal figure amidst found objects that are loosely connected highlighting the nonlinear paths of dreams. The figure with eyes vaguely open raises the question whether these dreams are magical or from a nightmarish waking dream. This piece highlights the human condition in a moment filled with uncertainty and stress, which undoubtedly has affected the sleep patterns of anyone experiencing it”
Ibrahim Ali-Salaam, BFA, Erik Grau, President, Piano Craft Gallery, February 2022
James King Bonnar Show, Honorable Mention:
“A multi-dimensional, powerful work of art. It is filled with subtle nuances and metaphors. This visual, silent prayer depicts chaos, uncertainty, despair and beauty. I am in awe of Gregory’s ability to combine a wide variety of mediums and techniques, making everything work in perfect harmony.”
Vladimir Zimakov, Wedeman Gallery Director, November 2021
Bring to Light, Piano Craft Gallery, Honorable Mention:
“Into the Light presents the emergence of a snail-like human venturing out of its shell. This piece suggests the end of a period of retreat and isolation. No longer the hermit, this creature is ready to set forth into a warming world. The assembled objects, however, suggest that this creature is prepared to suffer, and that all transformations are not positive.”
Erik Grau, Kamal Ahmad, Piano Craft Gallery, March 2020
New TV, Winter Exhibit, 1st Prize:
“Gregory Steinsieck’s ceramic and raku glaze depiction of Winter wonderfully personifies the harshness and gloominess of the season. The piercing and foreboding gaze penetrates the viewer and places one right in the middle of this frigid, icy, and dark time of the year. The all-encompassing markings on the face connect with the toll winter puts our own bodies through and the feeling of weariness this time of year. This captivation piece truly embodies Winter.”
Jay Sugarman, Judge, December 2019
New Members’ Show, 1st Prize:
“Gregory Steinsieck’s ceramic heads caused an internal debate. Which one would we choose for the award? I eventually chose From the Far Country. It is a piece which has no age, all the while evoking a glorious Buddhist past. It could have been finished yesterday or have been created a thousand years ago. It has no end nor a beginning. In other words, it just is. There is every conceivable aspect of life. It has experienced it all and leaves one with the ability to breathe it all in and be washed by it and leave one in a state of being.”
Diane Kazmaier, Board Member, June 2019
James King Bonnar Show, 3rd Prize:
“In this piece, Gregory succeeds in combining two distinctively different mediums - wood and ceramics, quite a difficult task. However, upon seeing this artwork, you don’t question what it’s made out of. Rather, you focus on the story. The designs, patterns and the texture suggest an ancient narrative. Perhaps something that’s long forgotten, instinct, but at the same time something that’s special and timeless. Something that’s chaotic and organized, explosive and calm. Is each face trying to break free? Are they something that’s destined to be tied together forever? Multiple personalities, coexisting as conjoined twins. There could be hundreds of interpretations. What’s yours?
Vladimir Zimakov, Judge, Director Wedeman Gallery, Lasell College, November 2018